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Yu-shan Huang
Yu-shan Huang (traditional Chinese: 黃玉珊; pinyin: Huang Yushan; born 1954) – is an important Taiwanese film maker who has made significant contributions to Chinese cinema in the areas of aesthetics and cultural history. Her focus is the woman's viewpoint, and frequently challenges the status quo in what has been a male-dominated society.〔See the short biographical note by Huang, attached to: Huang Yushan, "Creating and Distributing Films Openly: On the Relation between Women’s Film Festival and Women’s Rights Movement in Taiwan", in: Dossier on the Independent Cinema, Inter Asia,Vol.4, No.1 (print edition; the online version that contained only the introduction to her article no longer exists).〕〔Linzhen Wang, “Chinese Woman’s Cinema”, in: Yingjin Zhang (ed.), A Companion to Chinese Cinema, Malden (Wiley-Blackwell) 2012, p.341.〕〔Yu-shan Huang and Chun-chi Wang, “The Films of Huang Yu-Shan” (sub-chapter of their chapter on “Post-Taiwan New Cinema Women Directors and Their Films”, in: Linzhen Wang, Chinese Women’s Cinema, Transnational Contexts. New York (Columbia Univ. Press) 2011, p.140.〕
==Huang evaluated==
The film critic S.L.Wei calls her “a notable woman director who emerged in Taiwan in the late 1980s.”〔S. Louisa Wei, “Women’s Trajectories in Chinese and Japanese Cinema: A Chronological Overview”, in: Kate E. Taylor (ed.), dekalog 4: On East Asian Filmmakers. Brighton, UK (Wallflower Press) 2011, p.29)〕 Linzhen Wang values her as “an important figure in Taiwan’s women’s cinema” and “a critical link among different filmmaking movements” that played a role on this island since the 1980s.〔
Chun-chi Wang mentions Edward Yang and Yu-shan Huang in one breath. Yang’s ''A Brighter Summer Day'' appears noteworthy to her because it “deals with the political history of Taiwan in the ‘60s in an art film style.” Huang is the noteworthy “feminist director” whose film ''Twin Bracelets'' was “internationally acclaimed.”〔Chun-chi Wang, Lesbianscape of Taiwan: Media History of Taiwan’s Lesbians. Ann Arbor MI (UMI) 2009, p.92 – The tendency to see the perspective of this film as Lesbian, though widespread in the West, would probably be challenged by the filmmaker. While defending the rights of Lesbians, her objective is broader.〕 ''Twin Bracelets'' critiques the suppression of women that women justly revolt against, not only in East Asia, but in many parts of the world.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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